Films that influenced Get Out
← Inspired By (7)
Films inspired by Get Out
→ Get Out influenced these (6)
Featured Path
Rosemary's Baby → Get Out → Us
Sources
Influenced By
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Rosemary's Baby (1968)
"Peele's most-cited single influence. He named Rosemary's Baby — a film 'about men making decisions about women's bodies behind their backs' — as the structural template Get Out applies to race. Both Rose and Roman in Get Out are named after their Rosemary's Baby counterparts." source
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The Stepford Wives (1975)
"Peele explicitly cited Levin's Stepford Wives alongside Rosemary's Baby as Get Out's twin influences — both films use a 'protagonist drives with their loved one to an out-of-the-way setting and uncovers a body-snatching conspiracy' premise that Get Out adopts directly." source
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Night of the Living Dead (1968)
"Romero's foundational racial-horror text — Black protagonist surrounded by white menace, killed at the end by police. Peele has cited Night of the Living Dead in Get Out interviews as a foundational reference." source
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Halloween (1978)
"Carpenter's slow-stalking suburban-horror visual register and use of point-of-view to create dread is in Get Out's Sunken Place sequences and the slow-burn first half." source
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The Shining (1980)
"Peele has named The Shining repeatedly — isolated victim trapped in an environment that progressively reveals its menace. The hypnosis sequences echo The Shining's psychic-collapse register." source
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The Silence of the Lambs (1991)
"Get Out's procedural-becomes-horror structure and Demme's signature direct-address close-ups are echoed in Peele's framing of Chris's interactions at the Armitage compound." source
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The Thing (1982)
"Jordan Peele has openly cited Carpenter as a foundational influence; Get Out's body-horror-as-social-allegory continues The Thing's tradition of monstrous transformation." source
Influenced
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Us (2019)
"Peele's own follow-up — extends Get Out's social-horror framework into the doppelgänger/class-warfare register. Same protagonist-on-vacation-discovers-conspiracy template." source
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Candyman (2021)
"Nia DaCosta's reboot (Peele co-wrote and produced) explicitly extends Get Out's racial-horror project — gentrification, historical violence, and the white art world processed through urban-legend horror." source
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Antebellum (2020)
"Bush/Renz's racial-horror film is part of the post-Get Out wave — Black protagonist trapped in a white-supremacist conspiracy that turns out to be more literal than imagined." source
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Master (2022)
"Mariama Diallo's psychological horror set in an elite predominantly-white college continues Get Out's social-horror tradition — Black protagonist discovers ambient-then-literal racism in supposedly liberal space." source
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They/Them (2022)
"Logan's queer-camp slasher follows Get Out's template — marginalized protagonists at an isolated 'wellness' retreat that reveals itself as a violent conversion factory." source
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Nope (2022)
"Peele's third feature continues the social-horror lineage Get Out established — spectacle as predation, Black protagonists confronting an inhuman threat that has been fed by white capital." source
Get Out (2017), directed by Jordan Peele, was inspired by 7 earlier films — including Rosemary's Baby, The Stepford Wives, and Night of the Living Dead — and has been cited as an influence on 6 later works, such as Us, Candyman, and Antebellum. Check out the citations below.