Films that influenced Moonlight
← Inspired By (8)
Featured Path
Zero for Conduct → The 400 Blows → Moonlight
Sources
Influenced By
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The 400 Blows (1959)
"Moonlight's closing freeze-frame on Chiron's face is a direct visual quotation of The 400 Blows' iconic final shot of Antoine Doinel — the freeze on a child caught between past harm and unknown future, a gesture Truffaut originated and Jenkins explicitly invokes." source
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In the Mood for Love (2000)
"Jenkins's most-cited single influence. Moonlight cinematographer James Laxton kept a Dropbox of In the Mood for Love stills as reference. Visualization of memory, longing, and unspoken interior life directly modeled." source
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Happy Together (1997)
"Jenkins explicitly cited Wong Kar-wai's queer love story as a Moonlight touchstone — color palette, intimate framing of male bodies, music as emotional architecture." source
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Days of Being Wild (1990)
"Jenkins cited Wong's 1990 film as part of the Wong corpus that shaped Moonlight's tone — drifting young protagonists, urban loneliness, time as melancholic substance." source
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Chungking Express (1994)
"Jenkins's Wong influence specifically cites Chungking Express's vignette structure and emotional register as part of Moonlight's lineage." source
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Three Times (2005)
"Hou Hsiao-hsien's three-act portrait of one couple across time periods is a direct structural influence on Moonlight's three-chapter format." source
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Beau Travail (2000)
"Jenkins explicitly cited Claire Denis's Beau Travail — male bodies in landscape, masculinity as choreography, restrained narration." source
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Ratcatcher (1999)
"Jenkins cited Lynne Ramsay's Ratcatcher — child-as-protagonist in an indifferent urban environment, sensory cinematography, restraint about what to dramatize." source
Moonlight (2016), directed by Barry Jenkins, was inspired by 8 earlier films — including The 400 Blows, In the Mood for Love, and Happy Together. Check out the citations below.